Review: I love the novel, so I will discuss Joe Wright's take it and when it is, among other changes, but I will of course consider its merits as a film away from novel.As general adaptation, this version falls somewhere in the middle . Even without all metatheatrical decorations, it took an interesting and valid approach to the novel, showing that the novel can be adjusted to infinity and it will still be fresh every time. As readers of the novel would know that there is much more than Anna affair. Tolstoy did not write ambiguous kind: he writes fully developed characters, and Tom Stoppard scenario allowed Tolstoy's style. So I do not want the film outright condemn, because the things they do not right.Keira Knight Leys version of Anna is not as bad as you would think would overshadow. It makes sense to keep hinting a bit so many other elements of the novel. It applies to unsympathetic approach and it works. All the ways that I find annoying student of Grin and rampant nymphomania-really generally work for this role. It takes Anna Vronsky just because you can, and then eventually regretted. We can feel her frustration: she is young and wants to have fun, but it's bound to be a stuffy older man. In that sense, very modern interpretations, but not very so.Aaron Taylor-Johnson as Count Vronsky was misled. When the novel was seduces a student about Anna would have been great, but Vronsky is intended as a brave man. The design is horrible, it looks like a seventies Scandinavian submission. Wright seems to be saying some of the actors realistically act and what to play with the stylized setting. Taylor Johnson plays a trick so much that it just came out as camp and dirty. The scene where he is about to drive Frou Frou is a production of Equus, a love scene with Keira Knightley, reminds me of an old advertisement Philadelphia cheese. Their revelation of love is also handled poorly. Anna has a fantasy dream in which both erotic ballet and hammer away suddenly Theyre probably now in real world.Jude Law as Karenin. An odd choice when he Vronsky could play five years ago and you can even get away with it in one click. But it produces results that are most likely your best. His Karenin is a bureaucrat at heart. Other adjustments are still being made Karenin attractive option. This Karenin will certainly not develop passion quickly. We also see how it is manipulated by moral guardian Countess Lydia. If the law is trying a reputation as a serious actor, hes right path.And what to do? Pretentious theater stuff about everything This seriously slowed down the pace in the first third, but once you get used to it, you just enjoy the movie. The end is very sharp (not that famous end is not the last scene), but very poignant. |
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